The eternal sibling lament, “Dad likes you best,” runs through “Joseph and the Amazing Technicolor Dreamcoat” like so much spilt milk. It streams into everything and is fancifully squeezed for all its worth by Director Theresa A. Carson and the DAC Applause! company for the 2014 holiday offering.

“Joseph,” a rock musical from the 1970s, opened Friday at the Durango Arts Center with an apparent cast of thousands. It runs one more weekend.

Based on a Biblical story, “Joseph” is a through-sung musical with virtually no dialogue. Led by three narrators (Ana Koshevoy, Kiersten Langford and Tilly Leeder), the action moves swiftly. Without a program synopsis, the plot line may be murky, so sit back and enjoy the energy.

Joseph is the second youngest of patriarch Jacob’s 12 sons. Played by the engaging Landon Newton, the one adult in the company, Joseph garners a fancy dreamcoat due to his status as “favored son.” He also gains the enmity of his brothers. They consider killing daddy’s boy but instead sell him into Egyptian slavery where he’s treated harshly and imprisoned.

Joseph’s ability to interpret dreams gets him an audience with the pharaoh. From there, a sharp rise to political power follows. Meanwhile, his birth family languishes through drought, famine and other disasters.

The musical is clearly a spoof with several odd, embedded parodies. For “One More Angel in Heaven,” the brothers donned cowboy hats and faked country-western sadness. In “Those Canaan Days,” they wore berets and moaned through a French lament. For “Benjamin Calypso,” the brothers tied on grass skirts, danced and begged Joseph for mercy. Crying crocodile tears, the guys milked each parody to its phony bone. And the audience got it, especially two little brothers near me who howled with laughter.

Credit Carson and her team for assembling a cast continuously on the verge of internal combustion. Opening night, not a cue went missing. Choreographer Shea Costa’s dancers bubbled with pretty good synchronization. A few sound problems surfaced, and tuning problems appeared here and there. But the two-musician power band, pianist Paula Miller and percussionist Mark Rosenberg, kept “Joseph” rock ’n’ rolling along.

[email protected]. Judith Reynolds is a Durango writer, art historian and arts journalist.