Del Rey’s musical gifts may be limited, but the sultry minimalism of her vocals continues to work well against spookily ambient, vaguely trippy arrangements. Ultraviolence producer Dan Auerbach, of the Black Keys, proves a canny collaborator, layering bluesy textures into “Sad Girl” and adding wailing rock guitars to “Pretty When You Cry.”

Lyrics for those songs and others will likely incite some hand-wringing. But Del Rey, and her fans, surely wouldn’t have it any other way.

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